Past Projects:

Homeland-Inner Side (2000) an evening-length multimedia production with live Serbian and gypsy music about the war in the former Yugoslavia.
This work was made possible in part by St. Sava Serbian Orthodox Cathedral, New York City, Vuk Stef. Karadzich Organization.
Performance History
- St.Sava Serbian Cathedral, New York City (premiere)
- St. George Serbia Church, Elizabeth, New Jersey
- St. Sava Serbian Church, Cleveland, Ohio
Homeland-Inner Side, Interaction Project (2001) a collaboration combining the work of Valerie Green/Dance Entropy and Boris Caksiran’s Serbian company ErgStatus.
This two-month tour was made possible in part by the Belgrade Cultural Center and the Belgrade Summer Festival-BELEF
Performance History
- Serbia: Trg Republica Fountain, Cinema Rex, Vrsac National Theater, Grad Theatre Backa Palnaka, Nis, Panchevo Student Cultural Center, Aleksinac Cultural Center
- Italy: Meeting Anti-Razzista, Cecina and Livorno Museum of Art
- Bosnia: Experimental Theater Festival, Mostar National Theater
Klis (2002) a performance based on Serbian childhood games; linked together to take the dancers on a path of exploration, attempting to return to the carefree state of the child’s mind, when each new encounter was an adventure to embrace and enjoy.
This five-month residency was supported by CEC ArtsLink, BITEF, Belgrade Summer Festival-BELEF, Belgrade City Municipality
Performance History
- BITEF Theater, Belgrade, Serbia
- Meeting Anti-Razzista, Cecina, Italy

Hear Me, See Me (2004) an evening-length group piece reflecting the Albanian dancers’ passion, individuality, and expressive ability to be heard and seen within the newly experienced contemporary dance form.
This one-month intensive residency was supported by Soros Foundation for an Open Society, Theatre Alternativa, Akademy Scene Arts.
Performance History
- Theatre of the Akademy of Scene Arts, Tirana, Albania

Naked Desire (2005) featured the premeire of Naked Heart, a collaboration with Montreal artist Mariko Tanabe, the trio Echo of a Trace, and the solo Loss and Desire.
This concert was made possible in part by Le Conseil des Arts et des lettres du Quebec, The Wellspring Project, Mariko Tanabe Danse, and The Field's Artward Bound choreography retreat at Earthdance, MA.
Performance History
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